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- Then he made the altar of burnt offering of acacia wood, five cubits long, and five cubits wide, square, and three cubits high.
- He made its horns on its four corners, its horns being of one piece with it, and he overlaid it with bronze.
- He made all the utensils of the altar, the pails and the shovels and the basins, the flesh hooks and the firepans; he made all its utensils of bronze.
- He made for the altar a grating of bronze network beneath, under its ledge, reaching halfway up.
- He cast four rings on the four ends of the bronze grating as holders for the poles.
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- They built the altar of burnt offering of acacia wood, three cubits high; it was square, five cubits long and five cubits wide.
- They made a horn at each of the four corners, so that the horns and the altar were of one piece, and they overlaid the altar with bronze.
- They made all its utensils of bronze--its pots, shovels, sprinkling bowls, meat forks and firepans.
- They made a grating for the altar, a bronze network, to be under its ledge, halfway up the altar.
- They cast bronze rings to hold the poles for the four corners of the bronze grating.
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- He made the poles of acacia wood and overlaid them with bronze.
- He inserted the poles into the rings on the sides of the altar, with which to carry it. He made it hollow with planks.
- Moreover, he made the laver of bronze with its base of bronze, from the mirrors of the serving women who served at the doorway of the tent of meeting.
- Then he made the court: for the south side the hangings of the court were of fine twisted linen, one hundred cubits;
- their twenty pillars, and their twenty sockets, made of bronze; the hooks of the pillars and their bands were of silver.
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- They made the poles of acacia wood and overlaid them with bronze.
- They inserted the poles into the rings so they would be on the sides of the altar for carrying it. They made it hollow, out of boards.
- They made the bronze basin and its bronze stand from the mirrors of the women who served at the entrance to the Tent of Meeting.
- Next they made the courtyard. The south side was a hundred cubits long and had curtains of finely twisted linen,
- with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.
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- For the north side there were one hundred cubits; their twenty pillars and their twenty sockets were of bronze, the hooks of the pillars and their bands were of silver.
- For the west side there were hangings of fifty cubits with their ten pillars and their ten sockets; the hooks of the pillars and their bands were of silver.
- For the east side fifty cubits.
- The hangings for the one side of the gate were fifteen cubits, with their three pillars and their three sockets,
- and so for the other side. On both sides of the gate of the court were hangings of fifteen cubits, with their three pillars and their three sockets.
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- The north side was also a hundred cubits long and had twenty posts and twenty bronze bases, with silver hooks and bands on the posts.
- The west end was fifty cubits wide and had curtains, with ten posts and ten bases, with silver hooks and bands on the posts.
- The east end, toward the sunrise, was also fifty cubits wide.
- Curtains fifteen cubits long were on one side of the entrance, with three posts and three bases,
- and curtains fifteen cubits long were on the other side of the entrance to the courtyard, with three posts and three bases.
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- All the hangings of the court all around were of fine twisted linen.
- The sockets for the pillars were of bronze, the hooks of the pillars and their bands, of silver; and the overlaying of their tops, of silver, and all the pillars of the court were furnished with silver bands.
- The screen of the gate of the court was the work of the weaver, of blue and purple and scarlet material and fine twisted linen. And the length was twenty cubits and the height was five cubits, corresponding to the hangings of the court.
- Their four pillars and their four sockets were of bronze; their hooks were of silver, and the overlaying of their tops and their bands were of silver.
- All the pegs of the tabernacle and of the court all around were of bronze.
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- All the curtains around the courtyard were of finely twisted linen.
- The bases for the posts were bronze. The hooks and bands on the posts were silver, and their tops were overlaid with silver; so all the posts of the courtyard had silver bands.
- The curtain for the entrance to the courtyard was of blue, purple and scarlet yarn and finely twisted linen--the work of an embroiderer. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,
- with four posts and four bronze bases. Their hooks and bands were silver, and their tops were overlaid with silver.
- All the tent pegs of the tabernacle and of the surrounding courtyard were bronze.
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- This is the number of the things for the tabernacle, the tabernacle of the testimony, as they were numbered according to the command of Moses, for the service of the Levites, by the hand of Ithamar the son of Aaron the priest.
- Now Bezalel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD had commanded Moses.
- With him was Oholiab the son of Ahisamach, of the tribe of Dan, an engraver and a skillful workman and a weaver in blue and in purple and in scarlet material, and fine linen.
- All the gold that was used for the work, in all the work of the sanctuary, even the gold of the wave offering, was 29 talents and 730 shekels, according to the shekel of the sanctuary.
- The silver of those of the congregation who were numbered was 100 talents and 1,775 shekels, according to the shekel of the sanctuary;
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- These are the amounts of the materials used for the tabernacle, the tabernacle of the Testimony, which were recorded at Moses' command by the Levites under the direction of Ithamar son of Aaron, the priest.
- (Bezalel son of Uri, the son of Hur, of the tribe of Judah, made everything the LORD commanded Moses;
- with him was Oholiab son of Ahisamach, of the tribe of Dan--a craftsman and designer, and an embroiderer in blue, purple and scarlet yarn and fine linen.)
- The total amount of the gold from the wave offering used for all the work on the sanctuary was 29 talents and 730 shekels, according to the sanctuary shekel.
- The silver obtained from those of the community who were counted in the census was 100 talents and 1,775 shekels, according to the sanctuary shekel-
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- a beka a head (that is, half a shekel according to the shekel of the sanctuary), for each one who passed over to those who were numbered, from twenty years old and upward, for 603,550 men.
- The hundred talents of silver were for casting the sockets of the sanctuary and the sockets of the veil; one hundred sockets for the hundred talents, a talent for a socket.
- Of the 1,775 shekels, he made hooks for the pillars and overlaid their tops and made bands for them.
- The bronze of the wave offering was 70 talents and 2,400 shekels.
- With it he made the sockets to the doorway of the tent of meeting, and the bronze altar and its bronze grating, and all the utensils of the altar,
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- one beka per person, that is, half a shekel, according to the sanctuary shekel, from everyone who had crossed over to those counted, twenty years old or more, a total of 603,550 men.
- The 100 talents of silver were used to cast the bases for the sanctuary and for the curtain--100 bases from the 100 talents, one talent for each base.
- They used the 1,775 shekels to make the hooks for the posts, to overlay the tops of the posts, and to make their bands.
- The bronze from the wave offering was 70 talents and 2,400 shekels.
- They used it to make the bases for the entrance to the Tent of Meeting, the bronze altar with its bronze grating and all its utensils,
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- and the sockets of the court all around and the sockets of the gate of the court, and all the pegs of the tabernacle and all the pegs of the court all around.
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- the bases for the surrounding courtyard and those for its entrance and all the tent pegs for the tabernacle and those for the surrounding courtyard.
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